Pensive & calm. Country ballad with a hillbilly feel. Mandoline, ...Pensive & calm. Country ballad with a hillbilly feel. Mandoline, banjo, slide & pedal steel guiats.
Sentimental, nostalgic country & western ballad. Lead pedal steel ...Sentimental, nostalgic country & western ballad. Lead pedal steel guitar. Slide Dobro @ 1'00 & laid-back rhythm.
Wistful, rustic, dramatic. Marching country guitar sequence gives a ...Wistful, rustic, dramatic. Marching country guitar sequence gives a slow and smouldering rhythm, communicating drama and intrigue. A dustbowl town where a serious situation is occurring. Guitar riffs give a feeling of emotion.
Wistful, rustic, dramatic. Marching country guitar sequence gives a ...Wistful, rustic, dramatic. Marching country guitar sequence gives a slow and smouldering rhythm, communicating drama and intrigue. A dustbowl town where a serious situation is occurring. Slight slapback echo supports wistful vibe with chugging country tempo. Stripped back underscore version.
Instrumental version of tr-5 in an Americana spirit. Reflective & ...Instrumental version of tr-5 in an Americana spirit. Reflective & hopeful. Mandolin, electric guitar, slide dobro & rhythm section. Lead lap steel @ 2'13.
Sentimental country / western swing ballad. Touching & dreamy. ...Sentimental country / western swing ballad. Touching & dreamy. Fiddle, electric & pedal steel guitar.
Waltzing, anticipatory, cool. Sharp sequence on a warm electric ...Waltzing, anticipatory, cool. Sharp sequence on a warm electric guitar is joined by twanging lead to create a cool, twilight vibe. A dustbowl country setting as the sun goes down. Twinkling guitar gives a wondrous vibe as main rhythm offers a sense of uncertainty and intrigue.
Waltzing, anticipatory, cool. Sharp sequence on a warm electric ...Waltzing, anticipatory, cool. Sharp sequence on a warm electric guitar is joined by twanging lead to create a cool, twilight vibe. A dustbowl country setting as the sun goes down. Stripped back underscore version.
Alternate version of tr-8. Ballad in an Americana spirit. Romantic & ...Alternate version of tr-8. Ballad in an Americana spirit. Romantic & nostalgic. Introduction with Dobro slide & lap steel. Mandolin, folk guitar & ebow guitar @ 0'42.
Anticipatory, serious, determined. Rolling, dulcet guitar gives a ...Anticipatory, serious, determined. Rolling, dulcet guitar gives a sense of foreboding with chord sequence harbouring seriousness and yearning. Two people on the precipice of a shootout or long-awaited fight. Fuzzy guitar breakdown at 00:55 with vibrato effect further supports a sense of drama and heartache. Stiff picked guitar offers a sense of rustic passion.
Anticipatory, serious, determined. Rolling, dulcet guitar gives a ...Anticipatory, serious, determined. Rolling, dulcet guitar gives a sense of foreboding with chord sequence harbouring seriousness and yearning. Two people on the precipice of a shootout or long-awaited fight. Vibrato effect further supports a sense of drama and heartache. Stripped back underscore version.
Lyrics ... Country ballad. Lazy & nostalgic waltz. Male singer, pedal steel, ...Country ballad. Lazy & nostalgic waltz. Male singer, pedal steel, piano & rhythm section. Suggested for romance.
There’s a place down the street
Where my friends congregate
And when we sit on those bar stools
We’re not alone
10 am the lights are on
Beer’s cold, the whiskey’s strong
And we’re drowning those memories
One by one
You can meet me at the idle hour
Where the juke box plays all those country songs
If you’re tryin’ to hang on
To a love that’s dead and gone
With too many reasons not to go back home
The neon lights are bright
Even tho it’s past midnight
And the band’s packed up and moved on
Stare at the clock on the wall
Bartender says last call
And I start missin’ her most of all
So, you can meet me at the idle hour
Where the juke box plays all those country songs
So if you’re tryin’ to hang on
To a love that’s dead and gone
With too many reasons not to go back home
Too many reasons not to go back home
Shadowy, determined, wistful. Slow-moving country guitar with ...Shadowy, determined, wistful. Slow-moving country guitar with dramatic lead noodling creates an atmosphere of seriousness and drama. A brave persistent energy as hand percussion begins. A person filled with strength and determination, refusing to quit.
Shadowy, determined, wistful. Slow-moving country guitar creates an ...Shadowy, determined, wistful. Slow-moving country guitar creates an atmosphere of seriousness. A brave persistent energy as hand percussion begins. A person filled with strength and determination, refusing to quit. Stripped back underscore version.
Lyrics ... Well-known 19th century minstrel folksong composed by Stephen Foster. ...Well-known 19th century minstrel folksong composed by Stephen Foster. "Oh, Susanna, Don't you cry for me, ‘Cause I come from Alabama with the banjo on my knee...". Male country singer, guitare, banjo, slide dobro & rythmique. Instrumental tr-28 & 29.
Verse 1 Well I come from Alabama with a banjo on my knee I'm bound for Louisiana, my own true love for to see It rained all night the day I left The weather it was dry Sun so hot I froze to death Susanna, don't you cry
Chorus Oh, Susanna Don't you cry for me ‘Cause I come from Alabama with the banjo on my knee
Verse 2 I had a dream the other night When everything was still I dreamed I saw my girl Susanne She was coming around the hill
The buckwheat cake was in her mouth A tear was in her eye I said I come from Dixie girl Suzanna, don't you cry
Chorus Oh, Susanna Now, don't you cry for me ‘Cause I come from Alabama with the banjo on my knee Yeah Oh, Susanna Now, don't you cry for me ‘Cause I come from Alabama with this banjo on my knee
Words & Music by Stephen Foster (D.P) Arrangement by Manuel Galvin & Jean-Jacques Milteau
Warm, romantic, loving. Soft guitar gives an emotive energy, a gentle ...Warm, romantic, loving. Soft guitar gives an emotive energy, a gentle slow rhythm with a sense of romance and gentle affection. Visions of people dancing slowly and closely with each other. Reverb percussion gives a homely feel, two people sharing a quiet moment together.
Warm, romantic, loving. Soft guitar gives an emotive energy, a gentle ...Warm, romantic, loving. Soft guitar gives an emotive energy, a gentle slow rhythm with a sense of romance and gentle affection. Visions of people dancing slowly and closely with each other. Reverb percussion gives a homely feel, two people sharing a quiet moment together. Stripped back underscore version.
Relax & mellow. Country shuffle in the spirit of the Nashville Sound ...Relax & mellow. Country shuffle in the spirit of the Nashville Sound of the 60's. Pedal steel guitar. Twangy guitar @ 0'55. Mandolin @ 1'15 & laid-back rhythm.
Lyrics ... Folksong/country & western standard of uncertain origins from the ...Folksong/country & western standard of uncertain origins from the late 19th century also known as "Cowboy Love Song". "From this valley they say you are going". Melancholy of a lost love. Male country singer, guitare, slide dobro,basse, harmonica & banjo. Instrumental tr-19.
Verse 1
From this valley they say you are going We will miss your bright eyes and sweet smile For they say you are taking the sunshine That has brightened my pathway awhile
Verse 2 Come and sit by my side if you love me Do not hasten to bid me adieu Just remember the Red River Valley And the cowboy who loves you so true
Verse 3
Won’t you think of the valley you’re leaving O how lonesome, how sad it will be? O think of the fond heart you’re breaking Every grief you are causing to me.
Verse 4 Come and sit by my side if you love me Do not hasten to bid me adieu Just remember the Red River Valley And the cowboy who loves you so true And the cowboy who loves you so true
Traditional arranged by : Manuel Galvin & Jean-Jacques Milteau
Lyrics ... Country ballad. Lazy & nostalgic waltz. Male singer, pedal steel, ...Country ballad. Lazy & nostalgic waltz. Male singer, pedal steel, piano & rhythm section.
IDLE HOURVERSE There’s a place down the street
Where my friends congregate And when we sit on those bar stools We’re not alone 10 am the lights are on Beer’s cold, the whiskey’s strong And we’re drowning those memories One by one CHORUS You can meet me at the idle hour Where the juke box plays all those country songs If you’re tryin’ to hang on
To a love that’s dead and gone With too many reasons not to go back home
VERSE The neon lights are bright Even tho it’s past midnight And the band’s packed up and moved on Stare at the clock on the wall Bartender says last call And I start missin’ her most of all
CHORUS So, you can meet me at the idle hour Where the juke box plays all those country songs So if you’re tryin’ to hang on To a love that’s dead and gone With too many reasons not to go back home Too many reasons not to go back home
Lyrics ... Bitter-sweet country & western ballad. Peaceful but with a touch of ...Bitter-sweet country & western ballad. Peaceful but with a touch of nostalgia. Male singer, rhythm, piano & pedal steel.
I DON'T MATTER ANYWAY VERSE There’s a rumor goin’ round this little town Say you’re gonna throw my love away Well tell me where do you get off I’m the one having second thoughts And I don’t think we can last another day
CHORUS So We can talk about it We can sleep on it But I ain’t gonna meet you face to face Cause I’m beginnin’ to see
What you don’t mean to me And it really doesn’t matter anyway
VERSE You’ve got a new boyfriend, and I’m real free Let’s just call a spade a spade I’m eatin’ real well, and takin’ care of myself It’s something I gave up on along the way
CHORUS So we can talk about it We can sleep on it But I ain’t gonna meet you face to face Cause I’m beginnin’ to see
What you don’t mean to me And it really doesn’t matter anyway
REPEAT CHORUS We can talk about it We can sleep on it But I ain’t gonna meet you face to face Cause I’m beginnin’ to see
Underscore. Country & western ballad. Peaceful but with a touch of ...Underscore. Country & western ballad. Peaceful but with a touch of nostalgia. Rhythm, piano & pedal steel.
