Sync Different

Verse 1
From the great Atlantic ocean to the wide Pacific shore
From the queen of flowing mountains to the south side by the shore
She's mighty tall and handsome and known quite well by all
She's the combination on the Wabash Cannonball

Verse 2
Now She came down from Birmingham one cold December day
As she rolled into the station you could hear all the people say
There's that gal from Tennessee she's long and she's tall
She came down from Birmingham on the Wabash Cannonball

Verse 3
Yeah Listen to the jingle the rumble and the roar
As she glides along the woodland through the hills and by the shore
Hear the mighty rush of the engine hear that lonesome hobo call
You're traveling through the jungle on the Wabash Cannonball

Verse 4
Our Eastern states are dandy so the people always say
From New York to St. Louis and Chicago by the way
From the hills of Minnesota where the rippling waters fall
No chances can be taken on the Wabash Cannonball

Verse 5
So Listen to the jingle the rumble and the roar
As she glides along the woodland through the hills and by the shore
Hear the mighty rush of the engine hear that lonesome hobo call
You're traveling through the jungle on the Wabash Cannonball


Traditional arranged by
Manuel Galvin & Jean-Jacques Milteau

ES:

tengo las horas contadas con esta nena
y la tortura del recuerdo ya se inclina en mi cabeza
y es que no veas
las cartas que juega
se las guarda detrás de la oreja

bailando en la plaza con la niña
van par de litronas pero ella va tan fina
con sus pantalones rotos justo en la rodilla
con su cigarrillo y sus pestañas postizas
yo es que voy sin prisa
yo es que voy sin prisa
pero reconozco que contigo nunca he sido mu tranquila
me pierdo con los nombres que han pasao' después de ti
con todos esos verdes en Pinar de Chamartín

me acuerdo de ti nena me acuerdo de ti
me acuerdo de ti nena me acuerdo de ti
llevo preocupada desde que te conocí
estoy anestesiada con tu saliva de anís

y siempre que salgo por las noches de Madrid
te acabo escribiendo algún mensaje

para ti para ti siempre hay uno para ti
para el fuego de tus labios disfrazados de carmin
tu pelo rapado y tus ojos medio green
para las noches tocando la guitarra junto a mi
para ti para ti siempre hay uno para ti
te dedico mis versitos favoritos del Joaquín
te dedico todas las fotos en las que me haces reír
te dedico hasta el romero de las rosas del jardin

que ya no puedo mas
dame un break no te portes mal
dime si me vas a llamar
dime si me vas a llamar
que ya no puedo mas
dame un break no te portes mal
dime si me vas a llamar
deja la tortura pa' Alejandro Sanz

y no te des por aludida
que no va por ti, te lo juro por mi vida
tengo la saudade aquí en la tripa metidita
será la pastilla que mordimos aquel dia
tu mirada es ácida como los pica pica
tu piel es el paper del tabaco que te lias
eres el sabor amargo de una mora fría
se te acaba el tiempo y ahora el mío desperdicias
me arde la retina de ver tanta tontería
tengo toas' las medias rotas de todas tus chinas
también me has quemado el corazón con tanta chispa
bonita, tienes que ser más decidida
aunque la tonta sea yo porque te lo permita
aunque lo máximo que hago es marcarme unas rimas
aunque cuando esté delante tuya me derrita
nena, se mas comprensiva

que ya no puedo mas
dame un break no te portes mal
dime si me vas a llamar
dime si me vas a llamar
que ya no puedo mas
dame un break no te portes mal
dime si me vas a llamar
dime si me vas a llamar
dime si me vas a llamar
dime si me vas a llamar
dime si me vas a llamar
deja la tortura pa' Alejandro Sanz

dime si me vas a llamar

dímelo ma
dímelo




EN:

my hours are nearly due with this girl
and the torture of the memory is leaning in my head
and you can't see
the cards she plays
she keeps them behind her ear

dancing in the square with the girl
they go with a couple of litronas but she goes so refined
with her pants torn right above the knee
with her cigarette and her false eyelashes
I'm in no hurry
I'm in no hurry
but I recognise that with you I've never been very calm
I get lost with the names that have passed after you
with all those greens in Pinar de Chamartin

I remember you baby I remember you
I remember you baby I remember you
I've been worried since I met you
I'm numb with your aniseed saliva

and whenever I go out at night in Madrid
I end up writing you a message

for you for you there is always one for you
for the fire of your lips disguised as carmine
your shaved hair and your half green eyes
for the nights playing the guitar next to me
for you for you there's always one for you
I dedicate to you my favorite verses of Joaquin
I dedicate to you all the pictures in which you make me laugh
I dedicate to you even the rosemary of the roses in the garden

I can't take it anymore
give me a break don't misbehave
tell me if you'll call me
tell me if you'll call me
I can't take it anymore
give me a break don't misbehave
tell me if you'll call me
leave the torture for Alejandro Sanz

and don't take it personal
It' s not about you I swear it on my life
I've got the saudade here in my gut
Maybe it's the pill that we bit that day
your gaze is acidic like the pica pica
your skin is the paper of the tobacco that you roll
you're the bitter taste of a cold blackberry
you're running out of time and now you're wasting mine
my retina burns from seeing so much nonsense
I've got all the socks torn from all your stones
you've also burnt my heart with so much sparkle
beautiful, you have to be more determined
even though I'm the fool because I let you do it
even though the most I do is to score me some rhymes
even though when I'm in front of you I melt
baby, be more understanding

I can't take it anymore
give me a break don't misbehave
tell me if you'll call me
tell me if you'll call me
I can't take it anymore
give me a break don't misbehave
tell me if you'll call me
tell me if you'll call me
tell me if you'll call me
tell me if you'll call me
tell me if you'll call me
leave the torture for Alejandro Sanz

tell me if you'll call me

tell me ma
tell me